A Peek into Nawazuddin Siddiqui’s Theatrical Bungalow | Spill The Tea

Video Description

In this interview with Sneha Menon Desai, Nawazuddin Siddiqui discusses his enduring love for theatre and how his home reflects his personality. He shares that his daughter is learning acting and how she prefers not to seek his advice. He further candidly admits to scenes in his filmography that he dislikes. He talks about how, despite the industry's challenges, he navigates the "big bad world" by staying grounded and maintaining his integrity, emphasising the importance of keeping a balanced perspective in both his personal and professional life. #NawazuddinSiddiqui #RautuKaRaaz 00:00 - Spilling The Tea with Nawazuddin Siddiqui 01:55 - When did Nawaz make this house? And how did he create it? 06:05 - Falling into the trap of “Apun Ich Bhagwan Hai” 07:52 - Nawaz’s personalised book recommendations 08:48 - Can acting be taught and learnt? 09:53 - How does he do it every single time? 12:45 - “Bohut tezz aur bahut ajeeb” 13:39 - Trusting easily what people show 14:47 - Being hopeless from Bollywood 17:27 - Good people missing out on opportunities 18:36 - Most peaceful part of Nawaz’s house 22:21 - An actor becoming a caricature of his own self 24:11 - Doing a good scene 25:07 - Nawaz’s favourite scene of himself 26:44 - Going back to his hometown 28:16 - Nawaz’s daughter taking over his Instagram account 31:08 - Does he teach her acting? 31:56 - Dedicating half of his life to acting, and the losses dealt with on the way 33:13 - Three of films of his he hopes the new generation sees 35:04 - Getting frustrated with lazy acting Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On: https://www.facebook.com/filmcompanion https://www.twitter.com/filmcompanion http://instagram.com/filmcompanion About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.