“I never decided to become an architect.” | Architect Peter Zumthor | Louisiana Channel
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The world's largest archive on contemporary art, featuring the artists. New videos every week since 2012. Louisiana Channel is supported by Den A.P. Møllerske Støttefond, Ny Carlsbergfondet, C.L. Davids Fond og Samling. Louisiana Channel is a non-profit media based at the Louisiana Museum of Modern Art in Humlebæk, Denmark. With Louisiana Channel as a platform, Louisiana supplies culture to the Net that extends beyond the museum’s own events. The Louisiana team produces videos about art and culture ongoing, and new videos are posted every week. Louisiana Channel contributes to the permanent development of the museum as a cultural platform and wants to enhance the sense of the importance of art and culture. We see Louisiana Channel as a proposal for a part of a museum in tune with the 21st century, which is also able to hold the attention and interest of a new generation in cultural heritage, a thoughtful present and an ambitious future.
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We visited Peter Zumthor – one of the world’s leading architects – in his studio in Switzerland. In this extensive and rare biographical video interview, he tells the captivating story of his childhood, his studies in NYC and his parents’ strong influence. Zumthor – who works from the small town of Haldenstein in Switzerland – likes being outside the big centres of the world, as it frees him of having to consider the opinions of his fellow colleagues: “If you work like an artist, you need your own separate space.” He does, however, also work well in the “anonymous sound” of a city, where it is also possible to find calm in “a protective ocean of sound.” There are, Zumthor feels, different kinds of silence, and finding one’s mental silence – being able to concentrate – is what is most important in order to work well. “There’s nothing I’m not interested in.” Zumthor loves literature and music, but prides himself in taking an overall interest in different things, as it fuels him: “It’s a nourishing ground.” His constant appetite for learning gives him the tools to be able to understand whatever place or landscape he needs to work in, and being able to “feel a space” and having an idea of how to react as an architect, is essential. When he designs his innovative architecture, Zumthor furthermore puts great emphasis on connecting the old with the new, rather than breaking with history. Likewise, he feels that all architects have a great social responsibility when it comes to creating buildings, which are both well crafted and sustainable. Anything can be considered art as long as it’s done with personal devotion to the making of it, Zumthor argues: “I never decided to become an architect.” Starting out as an industrial designer, it was not until 1968 that he made the decision of becoming an architect and began participating in competitions, thinking to himself: “I can do this better.” As for the first competition he entered, he was kicked out in the first round – a pivotal experience that made him aware of the need to always improve. Peter Zumthor (b. 1943) is a Swiss architect. Among his best-known projects are the Kunsthaus Bregenz in Austria, the thermal baths in Vals in Switzerland, the Swiss Pavilion for Expo 2000 in Hannover (an all-timber structure intended to be recycled after the event) and the Kolumba Diocesan Museum in Cologne. Zumthor is the winner of several prestigious awards such as the 1998 Carlsberg Architecture Prize, the Mies van der Rohe Award for European Architecture (1999), the Praemium Imperiale (2008), the 2009 Pritzker Architecture Prize and the 2013 RIBA Royal Gold Medal. He lives and works in Switzerland. For more about Peter Zumthor see: http://zumthor.tumblr.com/ Peter Zumthor was interviewed by Marc-Christoph Wagner at his studio in Haldenstein, Switzerland in May 2015. Camera: Klaus Elmer Edited by: Klaus Elmer Produced by: Marc-Christoph Wagner Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015 Supported by Nordea-fonden #PeterZumthor #Architecture
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