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Why Chantal Kreviazuk is reclaiming the songs she wrote for other artists

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Elle Fanning calls herself a 'nepo sibling'

Q with Tom PowerNov 17, 2025

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Don’t ask Cillian Murphy what his movies are about

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Family Guy creator Seth MacFarlane sings like Sinatra

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Canadian creator of KPop Demon Hunters didn't expect 'this kind of reaction'

Q with Tom PowerAug 15, 2025

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Cynthia Erivo's new album makes her feel 'totally naked'

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Dream Theater's Mike Portnoy says he owes it all to Rush

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Alan Ritchson on Reacher, Ordinary Angels, and living with bipolar disorder

Q with Tom PowerFeb 27, 2024

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Paul Simon contemplates faith, death and the existence of God

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David Cronenberg on Crimes of the Future and why he sees body horror as "the body beautiful"

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Dune director Denis Villeneuve on adapting Frank Herbert's notoriously unfilmable sci-fi epic

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Rush's Geddy Lee on his obsession with the history of the bass guitar

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Mark Critch explores what it's really like growing up in Newfoundland

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Why Aaron Sorkin thinks imitating is a great way to learn

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Wayne Gretzky’s ’99 Stories of the Game’

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"Mad Max" Director George Miller in Studio q

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Norm Macdonald in Studio Q

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Featured Results

The Dears put a heavy stamp on early 2000s Canadian indie pop

Cœur de pirate doesn't know who she'd be without music

Why Chantal Kreviazuk is reclaiming the songs she wrote for other artists

Elle Fanning calls herself a 'nepo sibling'

Don’t ask Cillian Murphy what his movies are about

Family Guy creator Seth MacFarlane sings like Sinatra

Canadian creator of KPop Demon Hunters didn't expect 'this kind of reaction'

Cynthia Erivo's new album makes her feel 'totally naked'

Dream Theater's Mike Portnoy says he owes it all to Rush

Anora’s Mikey Madison on her strikingly nuanced portrayal of sex work

Francis Ford Coppola on Megalopolis and becoming Michael Corleone

Cate Blanchett on Rumours, Disclaimer and forgetting her real accent

Alan Ritchson on Reacher, Ordinary Angels, and living with bipolar disorder

Paul Simon contemplates faith, death and the existence of God

David Cronenberg on Crimes of the Future and why he sees body horror as "the body beautiful"

Dune director Denis Villeneuve on adapting Frank Herbert's notoriously unfilmable sci-fi epic

Rush's Geddy Lee on his obsession with the history of the bass guitar

Mark Critch explores what it's really like growing up in Newfoundland

Why Aaron Sorkin thinks imitating is a great way to learn

Wayne Gretzky’s ’99 Stories of the Game’

"Mad Max" Director George Miller in Studio q

Norm Macdonald in Studio Q

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Featured Results

The Dears put a heavy stamp on early 2000s Canadian indie pop

Cœur de pirate doesn't know who she'd be without music

Why Chantal Kreviazuk is reclaiming the songs she wrote for other artists

Elle Fanning calls herself a 'nepo sibling'

Don’t ask Cillian Murphy what his movies are about

Family Guy creator Seth MacFarlane sings like Sinatra

Canadian creator of KPop Demon Hunters didn't expect 'this kind of reaction'

Cynthia Erivo's new album makes her feel 'totally naked'

Dream Theater's Mike Portnoy says he owes it all to Rush

Anora’s Mikey Madison on her strikingly nuanced portrayal of sex work

Francis Ford Coppola on Megalopolis and becoming Michael Corleone

Cate Blanchett on Rumours, Disclaimer and forgetting her real accent

Alan Ritchson on Reacher, Ordinary Angels, and living with bipolar disorder

Paul Simon contemplates faith, death and the existence of God

David Cronenberg on Crimes of the Future and why he sees body horror as "the body beautiful"

Dune director Denis Villeneuve on adapting Frank Herbert's notoriously unfilmable sci-fi epic

Rush's Geddy Lee on his obsession with the history of the bass guitar

Mark Critch explores what it's really like growing up in Newfoundland

Why Aaron Sorkin thinks imitating is a great way to learn

Wayne Gretzky’s ’99 Stories of the Game’

"Mad Max" Director George Miller in Studio q

Norm Macdonald in Studio Q

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