When New York’s Most Opulent Mansion Was Demolished (Charles M. Schwab Mansion)
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Video Description
Gilded Age robber baron Charles Schwab spent six million dollars to create this Beaux-Arts masterpiece, yet four decades later, the palace stood empty and unwanted, its owner dead, his fortune evaporated, his monument to success about to be replaced by a utilitarian apartment complex. ------------------------------------- Gain FREE access to secret full-length episodes on architecture and wealthy family history "too scandalous for YouTube" by joining our newsletter: https://www.substack.com/@oldmoneyluxury ------------------------------------- TIMESTAMPS: 0:00 Introduction 1:34 Chapter 1: The Boy from Williamsburg 5:49 Chapter 2: A Palace on Riverside Drive 9:04 Chapter 3: The Gilded Cage 12:09 Chapter 4: The Collapse 15:33 Chapter 5: From Palace to Parking ------------------------------------- When Andrew Carnegie first visited the completed mansion, the crusty Scotsman who ruled American industry spoke words that would prove prophetic: "Have you seen that place of Charlie's? It makes mine look like a shack." Carnegie's Fifth Avenue mansion still stands today as the Cooper Hewitt Museum, while Schwab's superior palace exists only in photographs and a few salvaged doors installed in a Brooklyn church. Charles M. Schwab came into the world in eighteen sixty-two in Williamsburg, Pennsylvania, the son of a blanket manufacturer, taking a job at Andrew Carnegie's steel works at eighteen as a stake driver for a dollar a day. By eighteen ninety-seven, at age thirty-five, Schwab had risen to president of Carnegie Steel Company, overseeing an operation that produced more steel annually than the entire nation of Great Britain. In nineteen oh one, he orchestrated the deal that would create United States Steel Corporation, serving as intermediary between Carnegie and J.P. Morgan in what became the largest business transaction in world history: four hundred eighty million dollars for Carnegie's empire. By century's turn, Schwab commanded a fortune approaching forty million dollars—eight hundred million in today's money—and decided to build a palace to prove it. Construction began in nineteen oh two with a budget that made even robber barons surprised: three million dollars for the structure, another three million for furnishings and art. Over one hundred artisans worked full-time for four years, creating seventy-five rooms with six elevators, a private chapel, a swimming pool, a bowling alley, a power plant, and air conditioning throughout—technology so new that engineers had to invent solutions as they built. Yet even as Schwab entertained five hundred guests at a time in his palace, his private life was disintegrating through gambling that consumed him with particular ferocity. At Monte Carlo in nineteen oh three, he literally broke the bank, but what the papers didn't report was how quickly those winnings vanished, or how many millions more followed them onto gaming tables across Europe. Charles Schwab died on September eighteenth, nineteen thirty-nine, of heart disease in a two-bedroom Park Avenue apartment, leaving an estate valued at less than three hundred thousand dollars. After debts and taxes, his widow Rana inherited exactly two hundred dollars—insufficient to purchase even one of the mahogany doorknobs from their abandoned palace. By nineteen fifty, where America's most expensive private residence had stood, developers erected a nineteen-story building containing six hundred thirty-six rental units they named Schwab House, apparently without irony.
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