Valentini: Chamber Music

Brilliant Classics • October 7, 2025
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New recordings of High-Baroque concertos and sonatas by a forgotten English composer living in 18th-century Rome. Composer: Roberto Valentini Artists: Ensemble Afflatus; Enrico Casularo (traverso & direction), Anne Kirchmeier (recorder) & Jonathan Nubel (violin) šŸ’Ž šŸŽµ Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://brilliant-classics.lnk.to/ValentineChamberMusicID šŸŽ¬šŸŽ® These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: [email protected] Born in Leicester around 1673, Robert Valentine came from a family of musicians, but found his vocation and his career path once he moved to Rome in his 20s. Working as a violinist and flautist for several churches, he was evidently proficient in several other instruments such as the oboe, and quickly found his feet as a composer with an ear for public taste, and the ability to translate his instrumental virtuosity into original invention on the page. The present album takes a representative sample of that fluent invention with sonatas and ā€˜concertos’ (also written for chamber forces) from several different collections. A Sonata for two recorders holds instant appeal for anyone captivated by Vivaldi’s writing for the instrument. A Concerto in B flat, for recorder, two violins and ensemble, is worthy of comparison with the work of the Venetian master, for its brilliance and intensity. By contrast, the style of the ā€˜Concerto con Flauto Traversiero’ leans towards a crystalline simplicity, well suited to the delicate sound of the transverse flute of the period, and capable of producing those chiaroscuro effects and dynamic nuances that the recorder lacks. In each case, Valentine writes sensitively for his chosen forces. A pair of sonatas for flute and basso continuo, published in 1735 as part of Valentine’s Op.13, are effectively elegant Baroque dance-suites – whereas an Op.13 published elsewhere under Valentine’s name includes a violin sonata written in the galant style, full of rustic fanfares and flourishes. Founded and led by the flautist Enrico Casularo, Ensemble Afflatus specialises in the performance and recording of little-known, often unpublished music from 18th-century Italy. Casulero is also an editor of this repertoire, and a teacher of Baroque flute at the Santa Cecilia conservatoire in Rome. He is joined here by colleagues with no less expertise in the repertoire, and the album makes an ideal introduction to the art of Robert Valentine. Tracklist: Concerto in D Major: 00:00 I. Allegro 03:13 II. Largo 06:44 III. Presto 09:42 IV. Affettuoso Sonata No. 6 Op. 13 in D Minor: 11:14 I. Adagio 13:29 II. Allegro 15:16 III. Adagio 17:14 IV. Giga allegro 19:25 V. Allegro Sonata No. 6 ā€œLa Frascatiā€ in D Major: 21:38 I. Allegro 23:28 II. Andante 26:03 III. Allegro Sonata No. 1 in E Minor, Op. 13: 28:06 I. Adagio 29:49 II. Allegro 30:59 III. Adagio 32:47 IV. Allegro 34:11 V. Minuetto allegro Sonata No. 6 in A Minor: 35:02 I. Adagio 36:26 II. Allegro 38:04 III. Adagio 39:35 IV. Giga allegro 41:26 V. Minuetto allegro Concerto No. 2 in B-Flat Major: 42:36 I. Adagio 45:57 II. Allegro 50:18 III. Adagio 54:04 IV. Allegro šŸ“² Follow us on Social media: @BrilliantClassics #Valentini #ChamberMusic #ClassicalMusic #Traverso #Recorder #Violin #Chamber #Music #BrilliantClassics